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Listening to Get Lucky feels like a journey, where great care has been taken to ensure that you'll come back a little better.
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Knopfler's distinctive conversational baritone begins calmly intoning lyrics, and eventually there are examples of his melodic fingerpicked guitar style on both acoustic and electric.
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With Get Lucky, however, Knopfler has created an enjoyable collection of blues shuffles, countrified ballads, and Celtic-influenced folk songs that deserves attention and, perhaps most important, deserves to stand on its own.
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Q MagazineA reflection on a childhood spent between Glasgow and Newcastle, Get Lucky is all muted colours, bluesy licks and hard-won wsdom, delivered with a subtlety benefitting the presence of Scottish multi-instrumentalist John McCusker. [Oct 2009, p.113]
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MojoEsteemed guests such as flautist Michael McGoldrick, accordionist Phil Cunningham and fiddler John McCusker ornament the arrangements exquistely, while the Knopf's ever-tactile guitar continues to say more with three notes than most do with 20. [Oct 2009103]
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UncutUnfortunately, every note is so restrained as to verge on the apologetic, resulting in songs capable of being forgotten even while they're playing. [Oct 2009, p.101]