Metascore
72

Generally favorable reviews - based on 13 Critic Reviews

Critic score distribution:
  1. Positive: 7 out of 13
  2. Negative: 0 out of 13
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  1. 85
    When you hear it, you can tell that these songs were bursting to get out of Ware; that she’s delivered them with such nuance and intelligence lends considerable credence to the idea that her more devoted followers have proposed ever since Devotion. She is, by a distance, Britain’s most underrated pop star.
  2. Oct 20, 2017
    83
    While all of this could feel a bit scattershot in lesser hands, there’s a writerly clarity to her compositions that ties them all together into a cohesive statement of marital and maternal devotion.
  3. Oct 23, 2017
    80
    Each song on Glasshouse has its own distinct aesthetic; unlike her previous albums, 2012’s Devotion and 2014’s Tough Love, there are no songs here that could be confused for each other, none that seem an afterthought carved from the greater mood of the album.
  4. Oct 23, 2017
    80
    Each song is immaculately crafted and sequenced, yet with this many ballads, they blur: a play continually in its eleventh hour.
  5. Oct 27, 2017
    75
    Glasshouse, Ware's third and best album, sees her transcending the limitations of that restrained style.
  6. Nov 6, 2017
    70
    With affectionate stability at home, perhaps she'll be emboldened to take greater risks as an artist, marking the polished, pleasurable Glasshouse not as a culminating point, but the start of a bold, new direction.
  7. Nov 3, 2017
    70
    Though Ware co-wrote all the songs and is in full command from start to finish, the album has a stitched-together quality that starts to slowly unravel during the second half.
  8. Oct 26, 2017
    60
    An album that suffers from feeling just too assured.
  9. Oct 23, 2017
    60
    Tracks such as Hearts, the gently pulsating Your Domino and Last of the True Believers (featuring the Blue Nile’s Paul Buchanan) all perfectly showcase Ware’s crystalline vocals--you just wish she’d step out of her comfort zone more often.
  10. Oct 20, 2017
    60
    On Glasshouse, she manages to harness her rarely seen diva mode in among the pared-back hallmarks, but the result is a mixed one.
  11. Oct 20, 2017
    58
    Though Glasshouse has its fair share of misfires and middling material, it’s never for a lack of vision. Even when songs veer towards the pristine inoffensiveness of a Sam Smith, Ware’s affable personality is largely present.
  12. Nov 27, 2017
    50
    The third LP from Jessie Ware sees her bring her diva mode to the forefront of her sound, but the lack of the scarcity and minimalism that saw her emerge at the turn of the decade results in the finished product lacking the effectiveness of her earlier work.
  13. Oct 20, 2017
    40
    Glasshouse isn’t exactly groundbreaking. It could also do with being about half its mighty 17-track length.
User Score
7.3

Generally favorable reviews- based on 78 Ratings

User score distribution:
  1. Positive: 54 out of 78
  2. Negative: 7 out of 78
  1. Oct 30, 2017
    10
    Every artist tries to evolve and discover themselves in music, changing their styles, maturing and adapting their influences according to whatEvery artist tries to evolve and discover themselves in music, changing their styles, maturing and adapting their influences according to what they are experiencing in life at the moment.

    You all should see it as an evolution: for many ones Devotion (1st album, "Jessie's birth in music") will always be the bestest, as others will prefer Tough Love (2nd album, "teenager venturing") or then new listeners will come directly for Glasshouse (3rd album, "adulthood").

    It's all about growing as an artist and finding your own style or just experiment. MUCH PEACE & LOVE! ♥
    Full Review »
  2. Oct 25, 2017
    8
    A decline when compared to Devotion and Tough Love but the end result is still very enjoyable. There's a great variety in the productionA decline when compared to Devotion and Tough Love but the end result is still very enjoyable. There's a great variety in the production though some of the tracks feel more like Sam Smith or Ed Sheeran than a Jessie Ware track. Hearts, Midnight and Love to Love are my highlights on this. Full Review »
  3. Nov 2, 2017
    7
    The attempt to connect with a younger, more susceptible audience by using trite melodic conventions did no help to create any truly graspingThe attempt to connect with a younger, more susceptible audience by using trite melodic conventions did no help to create any truly grasping songs, but Jessie Ware had more motivation than that and created a basic calm atmosphere where everything could be congenial and well received, only lacking any skeletal substance to make it more than an adequate listen. My Score: 120/180 (Good) = 6.7/10 Full Review »