- Critic score
- Publication
- By date
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A mixed bag, with its fair share of unsatisfactory pop throwaway moments but also a healthy dose of midtempo ballads and stratospheric numbers.
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BlenderEven the presence of A-list guests can't redeem such jaded, formulaic songs. [#4, p.118]
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Q MagazineGoddess In The Doorway is the work of a man who is generally interested and occasionally inspired. [#184, p.135]
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Precision-tooled modern rock that aims for radio, not revelation.
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The A.V. ClubDistinguished, eclectic, and difficult to love.... Mostly the songs beg for a rawer treatment, instead of the polite album-rock for which Jagger generally settles.
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UncutThe shock is that Goddess In The Doorway is really rather good. [Dec 2001, p.114]
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An energetic, intelligent and fairly modern rock album - not exactly cutting-edge, but not entirely anachronistic either.
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His most diverse and musically adventurous solo set to date.
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Goddess is the only forward-looking project by a Rolling Stone since the band flirted with disco on "Miss You."
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In terms of consistency, craftsmanship and musical experimentation, Goddess in the Doorway surpasses all his solo work and any Rolling Stones album since Some Girls.
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MojoThe album takes on an airbrushed blandness that drowns out both the odd outbreak of compositional quality and the promise of adventure offered by the guests. [Dec 2001, p.104]
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Some of it is awful. Some, notably 'Hide Away' and 'Lucky Day' are as good as anything on prime-time Stones album 'Black And Blue', which is saying something.
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All the star power in the world can't save sub-par material.
User score distribution:
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Positive: 5 out of 6
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Mixed: 0 out of 6
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Negative: 1 out of 6
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Rev.RikardOct 21, 2005