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Going, Going... Image
Metascore
71

Generally favorable reviews - based on 15 Critic Reviews What's this?

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  • Summary: The ninth full-length studio release for the British indie rock band led by David Gedge was inspired by his trip across the United States in 2014.
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Top Track

Two Bridges
Of course you'll scoff But since your phone's switched off I'm going to call and leave A message now I'm gonna try and explain, somehow What I'm... See the rest of the song lyrics
Score distribution:
  1. Positive: 11 out of 15
  2. Negative: 0 out of 15
  1. 90
    Dense, rich and deeply rewarding.
  2. 80
    It’s The Wedding Present as we’ve known/loved them since 1991’s tour de force Seamonsters--opening squalls of feedback, a deceptively sweet melody, and Gedge’s lyrics fluctuating between self-lacerating and acrimonious in the midst of ferocious guitars. We’re on far less familiar ground with a number of the other 19 tracks, though.
  3. Sep 13, 2016
    80
    Though played out across a potentially draining 75 minutes, Going Going... throws a few pleasant curves as it’s presaged by four unexpectedly evocative, scene-setting instrumentals, including the atypically delicate Marblehead.
  4. Sep 8, 2016
    70
    The album might not stand with their all-time best work, like Seamonsters or Watusi, but it's hard to deny the brilliance of a band that, so late in its career, can crank out an album as passionate, hook-filled, and flat-out fiery as this. That's the true surprise of Going, Going....
  5. Sep 27, 2016
    70
    Those uncharacteristic twist and turns--the hybrid of orchestral arrangements and classic indie pop formulas--give the album cohesion and a narrative despite seeming out of place at first. Still, the LP is testament to the group’s ability to churn out perfectly wrought, desperate pop, time and time again.
  6. Sep 20, 2016
    70
    The only problem is that, at 20 tracks, it’s far too long, and while there’s nothing particularly bad here, the weaker tracks seem a bit like filler.
  7. Sep 2, 2016
    40
    Across the 20 songs there's a wobbly unevenness, fairly split between unlistenable horribleness like Secretary (imagine Gedge wailing “I only get through to your secretary” over and over, and be grateful we’ve saved you from hearing it) and taut US hardcore influenced indie rock like Fordland and Broken Bow.

See all 15 Critic Reviews

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