• Record Label: MCA
  • Release Date: Mar 30, 2018
User Score
8.7

Universal acclaim- based on 519 Ratings

User score distribution:
  1. Negative: 25 out of 519
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  1. Jul 24, 2020
    1
    Worst Album ever why they give Album of the year to this **** album i dont like it
  2. Nov 23, 2021
    0
    This review contains spoilers, click expand to view. "Whilst tracks like "Butterflies" and "High Horse" offer the best of what Musgraves can do in terms of balancing her obvious charm against a certain steely underbelly that has served her so well so far in her career, all too often, Golden Hour delivers a lackluster vibe and a feeling that Musgraves has become too infatuated with the pop side of her artistry and is beginning to forget about the things that made her so interesting and worth investing in in the first place." ... Expand
  3. Jan 27, 2019
    0
    Kacey sings the same on all tracks, not emotion, no feeling, only autotune voice and a very mediocre bourgeoi soundscape.
  4. May 8, 2018
    2
    It´s a boring album most of the times. Sometimes it has it high points like in Rainbow and Slow Burn but it´s not worth listening. The lyrics are kind of basic and totally expected to hear. Great voice but the rest it's just meh.
  5. Apr 21, 2022
    0
    hediondacey mush!t retirate, Taydiosa Swiftodopoderosa tu eterna patrona flopera inmunda
Metascore
89

Universal acclaim - based on 18 Critic Reviews

Critic score distribution:
  1. Positive: 17 out of 18
  2. Negative: 0 out of 18
  1. 85
    Golden Hour imagines a world much sweeter than the one we’re living in; and for 45 minutes, it can just about take you there. Kacey Musgraves’ golden hour is far from over.
  2. May 23, 2018
    80
    Golden Hour is a bedazzled, wide-eyed rush.
  3. May 9, 2018
    60
    Whilst tracks like "Butterflies" and "High Horse" offer the best of what Musgraves can do in terms of balancing her obvious charm against a certain steely underbelly that has served her so well so far in her career, all too often, Golden Hour delivers a lackluster vibe and a feeling that Musgraves has become too infatuated with the pop side of her artistry and is beginning to forget about the things that made her so interesting and worth investing in in the first place.