• Record Label: Harvest
  • Release Date: Nov 13, 2013
Metascore
75

Generally favorable reviews - based on 18 Critic Reviews

Critic score distribution:
  1. Positive: 16 out of 18
  2. Negative: 1 out of 18
  1. May 29, 2014
    90
    Its idiosyncratic animus is something to behold, and even if you don’t like it, both the digital age and Burnett himself can reassure you with the verse, “Don’t worry; in a few, you’ll all be somewhere else.”
  2. Its not as bare bones as NLDW, but it's every bit as in-your-face and aggressive as you would expect from a Death Grips record.
  3. May 29, 2014
    84
    Unlike the blunt, confrontational NO LOVE DEEP WEB, Government Plates lets you think for yourself and even if it doesn’t have an agenda, that doesn’t mean it’s nihilistic.
  4. May 29, 2014
    80
    [Government Plates] is bursting with kinetic energy and texture, and never focuses on one particular sound for overlong over its economical 36 minute run time. It's that sense of ever shifting energy and momentum that characterizes Death Grips best work and it's a relief to see it returned to.
  5. May 29, 2014
    80
    Featuring minimal hooks, guttural yelps and harrowing production, Government Plates sounds like nothing else this year--so in other words, it sounds a whole lot like Death Grips.
  6. 80
    Government Plates is a challenging listen, but as one of the most transgressive records of the year.
  7. May 29, 2014
    80
    Their creativity is flowing at its peak and they are only concerned with music, and you should be as well.
  8. May 29, 2014
    80
    This is transgressive art at its rawest and most chaotic, postmodern punk for the millennial age, and its ferocity is both a strength and a weakness, primal and indiscriminate, deeply felt and totally irrational.
  9. May 29, 2014
    80
    An album so urgent and pressing that it often foregoes language for feeling, explanations for executions.
  10. May 29, 2014
    80
    Somehow all these disparate parts click together and make Government Plates the most captivating Death Grips album yet.
  11. 75
    Government Plates doesn’t strive to be a defining post-Epic statement, but it finds Death Grips fascinated with the possibilities offered by its sound and pushing it breathlessly forward.
  12. May 29, 2014
    70
    Those instrumentals stop and start, throb and zap, sprint and lurch, empty out or swarm with noise, and they often completely switch texture in midtrack--the more disorienting the better.
  13. 70
    Death Grips are at their best when they’re just being plain weird. Some of the attempts to fully reproduce various types of dance music fall a little flat – it’s a passable imitation, but the kind of people who like psytrance might not have much time for most of Government Plates.
  14. May 29, 2014
    70
    Government Plates is a rap record, albeit one whose abstracted fury and next-level formalism make Kanye's Yeezus sound kind of quaint.
  15. May 29, 2014
    70
    Government Plates is sometimes just incoherent.... But in the end these are minor quibbles.
  16. May 29, 2014
    66
    The result is a sometimes great, sometimes merely serviceable album which can stand among Death Grips’ ample discography, despite occasionally sacrificing melody for amplified pandemonium.
User Score
7.3

Generally favorable reviews- based on 111 Ratings

User score distribution:
  1. Positive: 81 out of 111
  2. Negative: 9 out of 111
  1. Jan 16, 2016
    6
    Well, this is obviously not as focused on mc ride as the rest of death grips discography but it is still cool birds is an amazing piece ofWell, this is obviously not as focused on mc ride as the rest of death grips discography but it is still cool birds is an amazing piece of work and some of the instrumentals are also very catchy Full Review »
  2. Mar 22, 2015
    7
    Death Grips' weakest album. That said, it's still pretty good. Pillbox Hat, Anne Bonny, and Two Heavens serve as a great opening, but theDeath Grips' weakest album. That said, it's still pretty good. Pillbox Hat, Anne Bonny, and Two Heavens serve as a great opening, but the album falls off from there.
    Birds and Whatever I Want are high points, but overall, the album is severely lacking in vocals, and the production sound almost like stereotypical house. The production might have worked better if Ride's vocals weren't so lacking.
    Still, with a band like DG, I'm happy to see them trying new things, because it can lead to some interesting things (the opener is one of DG's best songs so far). Sometimes, it just doesn't work that well.
    Full Review »
  3. Jun 10, 2014
    4
    This is an odd album. I was a fan of Death Grips previous work (especially The Money Store) and I feel like they did not have the sameThis is an odd album. I was a fan of Death Grips previous work (especially The Money Store) and I feel like they did not have the same delivery on this album. I understand what they were going for, I'm just not a fan of the fact there are minimal mc ride lyrics (as a lot of the vocals are samples) Full Review »