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It’s vital for the maintenance of Gallows’ present profile that they curb their enthusiasm for experimentation and pushing the envelope of aggressiveness to some degree, and by doing this sensibly, they’ve produced an album that’s big on surprises but that also ticks the essential boxes of heaviness and melody.
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While the listener is largely swamped in this sense of horror and disgust--which no doubt makes the point--Gallows are also concerned with some kind of catharsis.
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Gallows are the sound of this country's rising fury. And people in power need to listen, because if it spills over, there'll be trouble.
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Alternative PressGrey Britain sports some decidely non-punk maneuvers in the form of piano-concerto codas and unnerving sound effects that elevate the band from mere street-punk cliches. [Jun 2009, p.104]
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MojoAn antidote to pop bands masquerading as punk, this is the real deal--ugly, and utterly English. [Jun 2009, p.98]
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Q MagazineGrey Britain is at once more accessible than its chaotic predecessor, "Orchestra Of Wolves." but also harder hitting. [Jun 2009, p.122]
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UncutGrey Britain builds upon its predecessor without diluting any of its rabid energy and grinding, oppressive negativity. [Jun 2009, p.86]
User score distribution:
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Positive: 11 out of 14
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Mixed: 0 out of 14
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Negative: 3 out of 14
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Sep 14, 2010
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EricK.Oct 4, 2009Favorite album of the year by far.
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NickJun 26, 2009I have to say that this album is crap.