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- Summary: Joe Muggs collects tracks from emerging and known grime producers such as Wiley and Footsie.
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- Record Label: Ninja Tune
- Genre(s): Electronic, Rap, Pop/Rock, Club/Dance
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Score distribution:
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Positive: 8 out of 9
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Mixed: 1 out of 9
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Negative: 0 out of 9
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May 14, 2013Some of the tracks cry out for a bar or two to be spat over, but when you hear that hollow synth on Teeza’s ‘Rum And Coke’, you’ll be sold on the grime renaissance.
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May 14, 2013The fascinating thing about this compilation is the range of influences the producers incorporate into their work.
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May 14, 2013Though it's way too long to listen to in one sitting, Grime 2.0 is catnip for the grime fan, and good bait for those new to or curious about the genre.
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May 14, 2013As a whole, Grime 2.0 works as both an introduction and a re-introduction to a sound that's still without an official expiration date--and won't likely get one anytime soon.
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May 16, 2013None of this stuff sounds the same, proving grime to be a borderless hinterland populated by some of the most gifted, uninhibited, maniacal musicians.
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MojoMay 20, 2013Fizzing with energy and invention, distilling influences into vibrant new hybrids, this is a must-have insight into an ever-fertile, increasingly global scene. [Jun 2013, p.92]
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Q MagazineMay 14, 2013True, few tracks contain anything as mundane as a tune, but this sound of the underground taps an exhilarating energy. [Jun 2013, p.116]