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The WireJun 5, 2013Almost by definition it's a mixed bag, but Grime 2.0 intrigues because it suggests this music was never strictly codified. [May 2013, p.54]
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MojoMay 20, 2013Fizzing with energy and invention, distilling influences into vibrant new hybrids, this is a must-have insight into an ever-fertile, increasingly global scene. [Jun 2013, p.92]
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May 16, 2013None of this stuff sounds the same, proving grime to be a borderless hinterland populated by some of the most gifted, uninhibited, maniacal musicians.
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May 14, 2013With every step this challenging record shows how grime can respond to and inform other genres while always remaining a force unto itself.
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Q MagazineMay 14, 2013True, few tracks contain anything as mundane as a tune, but this sound of the underground taps an exhilarating energy. [Jun 2013, p.116]
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May 14, 2013As a whole, Grime 2.0 works as both an introduction and a re-introduction to a sound that's still without an official expiration date--and won't likely get one anytime soon.
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May 14, 2013Some of the tracks cry out for a bar or two to be spat over, but when you hear that hollow synth on Teeza’s ‘Rum And Coke’, you’ll be sold on the grime renaissance.
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May 14, 2013The fascinating thing about this compilation is the range of influences the producers incorporate into their work.
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May 14, 2013Though it's way too long to listen to in one sitting, Grime 2.0 is catnip for the grime fan, and good bait for those new to or curious about the genre.