• Record Label: Nonesuch
  • Release Date: Mar 16, 2004
Metascore
78

Generally favorable reviews - based on 17 Critic Reviews

Critic score distribution:
  1. Positive: 16 out of 17
  2. Negative: 0 out of 17
  1. His voice devoid of Newman-Waits grit, his eclecticism even and controlled where theirs bristles with jokes, oddity, and gusto, how does he expect to connect with anyone but other likable progressives, and rather detached and inscrutable ones at that?
User Score
8.6

Universal acclaim- based on 16 Ratings

User score distribution:
  1. Positive: 14 out of 16
  2. Negative: 0 out of 16
  1. Mar 3, 2018
    10
    This album is truly a one of a kind. Baudrillardesque in fashion. Beautiful aesthetic. His best solo album (if you discount Bush of Ghosts).
  2. MaxC
    Apr 5, 2006
    8
    An excellent album by Byrne featuring what has to be his single greatest solo song and recording "Glass, Concrete and Stone", originally An excellent album by Byrne featuring what has to be his single greatest solo song and recording "Glass, Concrete and Stone", originally featured in Stephen Frears' "Dirty Pretty Things". Lyrically, Byrne is quite political while still very poetic with his usual gorgeous images of birds and buildings and mysterious women. His operatic duet with Rufus Wainwright is a definite grower and the island-tinged "Little Appocalypse" is yet another whimsical career high. It's an album that requires keeping an open mind - but its rewards are absolutely worth each repeated listen. Full Review »
  3. AshleyM
    Feb 26, 2005
    9
    David Byrne is in perfect vocal condition on this album. The opener "Glass, Concrete and Stone" is a beautiful track, with strings and David Byrne is in perfect vocal condition on this album. The opener "Glass, Concrete and Stone" is a beautiful track, with strings and percussion that brings to mind an elephant defying the laws of physics and dancing on a metal rooftop in a rainstorm. The opera tracks were a big and welcome surprise. Full Review »