Helplessness Blues - Fleet Foxes
Helplessness Blues Image
Metascore

Universal acclaim - based on 42 Critics What's this?

User Score

Universal acclaim- based on 143 Ratings

  • Summary: The Seattle indie-folk outfit return with the harmonious follow-up to their debut.
  • Record Label: Sub Pop
  • Genre(s): Pop/Rock, Alternative/Indie Rock, Alternative Pop/Rock, Indie Rock, Indie Folk
  • More Details and Credits »
Score distribution:
  1. Positive: 39 out of 42
  2. Negative: 0 out of 42
  1. May 4, 2011
    100
    Wide-eyed self-searching is this record's predominant mode, which Fleet Foxes do both lyrically and sonically, reveling in the process of discovery.
  2. May 19, 2011
    80
    Helplessness Blues is as passionately desolate as anything on Closer, the record which documented Ian Curtis' romantic guilt and existential confusion. [Jun 2011, p.74]
  3. May 31, 2011
    80
    Both mysterious and inviting, Helplessness Blues retains and expands what made the debut so special. It's an open door to a private world. [Jun 2011, p.108]
  4. May 13, 2011
    60
    While Helplessness Blues is sparser and more restrained than its predecessor, it's also spotted by unexpected flourishes that are almost experimental by the band's traditionalist standard.

See all 42 Critic Reviews

Score distribution:
  1. Positive: 53 out of 57
  2. Negative: 1 out of 57
  1. NME need to throw in the towel, a 7 for Britney Spears, but a 4 for Fleet Foxes? Was this written by some guy who someone keeps locked away in a basement somewhere? Perhaps they don't allow him sharp objects, so instead of pencils, he writes his reviews with his own fecal matter? Regardless, Helplessness Blues is an instant classic,it also translates really well live. There really isn't anything else that needs to be said, this album will go down in history. Expand
  2. I found Helplessness Blues to be a lot more human, accessible, and mature than their first album. The title track alone contains more emotion, passion, and insight into the human condition than the entire first album did. It's great to hear these guys broaden their sound and scale back most of the cuteness and droning, unrelatable renaissance fair balladry about mountains and Robin Pecknold's brothers that marred the first album. The first three tracks still veer a little too close to that territory for my tastes (especially Bedouin Dress), but as soon as the pounding drums of Battery Kinzie kicks in, so does the album. Grown Ocean, Lorelai, and the title track are all terrific examples of Fleet Foxes breaking out of their bland, gentle shell and realizing their potential as indie folk extraordinaires. Expand
  3. Fleet Foxes' second album doesn't have the same impact as their debut, but still the songwriting is solid stuff and alike their debut, the album grows throughout and becomes better and better as you go along. Expand
  4. oh dear it would help if they wrote actual songs here but instead we' re are mistreated to song treatments, fragments if you will instead of the actual thing, all done in the inimitable style of CSN. hey deja vu all over again, it was bad the first time around, it's not getting any better this time. Expand

See all 57 User Reviews

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