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Apr 14, 2023All in all, Henry St. marks a triumphant return for The Tallest Man On Earth, as he once more emerges from the Swedish countryside to take the folk world by storm. This time, though, he’s got companions, leading to a fuller and richer sonic journey than ever before.
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May 10, 2023While it’s not necessarily the kind of record that’s going to grab immediate attention, it does retain an amiable accessibility all its own. In that regard, listeners might just find that The Tallest Man On Earth makes music that’s all within an easy reach.
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UncutApr 14, 2023Leaving New York for Sweden during the pandemic gave fresh perspective to these songs of past American odysseys and accumulated loss. [May 2023, p.36]
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Jun 9, 2023Henry St. is a heartfelt return to form for Mattson, who somehow still manages to find beauty in the little things.
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Apr 14, 2023Henry St. seems no less sincere or heartfelt than anything Matsson has recorded in the past, yet here he embraces an unforced joy that connects in a way his more dour work did not, and it makes this one of the Tallest Man on Earth's most purely pleasurable releases to date.
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Apr 14, 2023All in all, ‘Henry St.’ is the type of cozy album you’d stick on your record player on a rainy Sunday and is a strong comeback from The Tallest Man On Earth indeed.
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Apr 19, 2023At the very least, it sounds terrific. With imaginative production from Sylvan Esso’s Nick Sanborn and accompaniment from a sterling cast of (largely) North Carolina ringers. ... But across the 42 minutes of Henry St., Matsson rarely responds to them in kind. To put it plainly, the writing is just bad, as though it were some slapdash afterthought to the strong instrumentals already in place.
User score distribution:
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Positive: 1 out of 2
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Mixed: 1 out of 2
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Negative: 0 out of 2
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Apr 28, 2023Wow! This album is fantastic, I have always liked this artist but this album hooked me in more than the others, it's really really good.