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Apr 13, 2016Experimental, textured, destructive, booming, progressive and at times disturbing, Hold/Still finds the tense, perfect middle between darkness and light, cold but burning hot with desire.
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Jun 6, 2016Taken in one extended listening session, Hold/Still proves titularly prophetic because you’re left exhausted from all the foregoing textural and tempo twists. One could liken the experience to ingesting a handful of lysergic tablets and then deciding to run a marathon that lasts all night. Once you’re done, you’re done for good. Hold still, kids.
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UncutApr 27, 2016Suuns have never been slouches in the mutant kosmische department, but the John Congleton-produced Hold/Still blasts them into a new dimension. [Jun 2016, p.81]
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Apr 19, 2016This is Suuns’ third album but their essence hasn’t changed, just honed.
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Apr 14, 2016Their most restrained and finely detailed record to date.
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Apr 25, 2016The four remain honest with their work, and the work rises to the challenge as a result.
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Apr 19, 2016Suuns have created a record which doesn’t thumb its nose at the existential problems of listener in enjoying and listening to music, but identifies with it and mounts the only truly acceptable response: make music reflective of, and worthy of, our scattered brains.
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Apr 14, 2016It’s a consistent, methodical unsteadiness that hangs a song on a single blurred synth tone, a suspension bridge between two guitars acres apart in the mix, and then shoots it with bolts of electricity.
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Apr 13, 2016Even if some of the songs have spare, measured rhythms that seem easy enough to follow, the group will make the guitar notes spiral into strange directions or build the feedback up to hair-raising levels.
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Apr 21, 2016Despite its few too many twisted Thom Yorkisms, Hold/Still is a convincing attempt at making the impossibly bleak impossibly toe-tapping.
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