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Taking Mangum’s recorded-on-cardboard lo-fi folk epics as their ground zero, TRAA turn in the best alt.debut of the year.
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Hometowns has an earthly fragility, folksy without being folky. Score another one for Canada.
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With more intensely vigorous drumming, more obviously personal lyrics, and a more blatant interest in glossy electro-pop, Edenloff's band carves out their own niche. It is one that masterfully blends the masculine and the feminine, the refined and the coarse, the dark and the bright.
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The Rural Alberta Advantage are an excellent Toronto band that before this year nobody outside of Toronto cared much at all about; here’s hoping their follow-up manages to capitalize on what’s good here to make something really memorable.
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Hometowns, the band’s just-reissued 2008 album, is a well-crafted bit of folk that needn’t stand on the shoulders of giants.
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Nils Edenloff's passionate songwriting comes across as both raucous (“The Dethbridge in Lethbridge”) and gently sweet (the harmony-rich boy-girl cupcake “Don’t Haunt This Place”), consistently marked by a joyful sonic ingenuity.
User score distribution:
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Positive: 25 out of 28
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Mixed: 2 out of 28
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Negative: 1 out of 28
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Oct 15, 2010
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Nov 12, 2011
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MarkAug 2, 2009This thing is great. The drummer is amazing, the songwriting is solid and the album is cohesive. What more can you ask for?