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- Summary: The latest full-length release from British indie-pop band The Clientele was recorded in London from 2019-2022, in part because of the COVID-19 pandemic.
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- Record Label: Merge
- Genre(s): Pop/Rock, Alternative/Indie Rock
- More Details and Credits »
Score distribution:
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Positive: 9 out of 9
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Mixed: 0 out of 9
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Negative: 0 out of 9
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Jul 28, 2023It adds up to another pitch perfect album by the band, certainly one of their best and most devastatingly pretty works. In a career full of brilliance, that's saying ever so much.
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Jul 26, 2023through his efforts to convey a profound experience of loss in a long-gone summer, these songs offer an uncommonly generous wealth of grace and beauty. [Aug 2023, p.32]
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Jul 28, 2023As the album draws to a close, it’s hard not to see I Am Not There Anymore as their most ambitious, artistically progressive offering to date.
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Jul 26, 2023Despite the strong influence that can detected in the band’s style – Smile via Penguin Café Orchestra, The High Llamas and contemporary classical ensemble North Sea Radio Orchestra perhaps – few others are so committed to making music that sounds like this. After decades building up to it, The Clientele have produced what is probably their finest, most enjoyable record.
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Jul 28, 2023A fresh sense of discovery also suffuses I Am Not There Anymore’s more straightforward songs.
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Jul 28, 2023They have managed to recapture the magic that permeated their best material and made it so imminently replayable. This is a bold move that should be celebrated, and more importantly, it should be emulated.
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Jul 28, 2023The hour of music on The Clientele’s I Am Not There Anymore flies by with a widely entertaining gusto while satisfying the band’s restless creativity.
Score distribution:
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Positive: 3 out of 4
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Mixed: 1 out of 4
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Negative: 0 out of 4
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Aug 4, 2023
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Jul 28, 2023
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Jul 28, 2023Donovan and Beatles vibes. Very good experimental pop and psychedelic pop. Good production. Always good.
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Aug 29, 2023
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