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Mar 24, 2014As with Until Tomorrow, McFarlane produced the whole thing--an understated yet dazzling second album that is more imaginative than the impressive first.
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Mar 24, 2014The songs here are each separate, lonely or transcendent, self-absorbed and distinct, without the background, café-soundtrack quality of so many modern jazz singers: fleeting, melancholy, and dangerous creatures from Borges’ imaginary bestiary.
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UncutMar 24, 2014The second album by this East London singer sees her moving away from the orthodox jazz trio and expanding her sonic palette. [Feb 2014, p.77]
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Mar 24, 2014The second album by the British singer Zara McFarlane on Brownswood Recordings, constructs a kind of black music that descends from Nina Simone and Pharoah Sanders: serene, post-folk, post-soul, mystical.