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MojoOct 24, 2017Like Beth Gibbons and Rustin Man's Out Of Season, say I'm A Harmony operates on a different plane. [Dec 2017, p.93]
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Sep 26, 2017Perhacs sings of universal truths and natural wonders, pondering sad winds and spiritual growth through lush, layered vocals and gusts of sound. “Eclipse of All Love” swirls with folk guitar and a sung duet between Perhacs and Sansone. Best are the Holter collaborations.
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Sep 26, 2017Perhacs' stellar melodies are bolstered by excellent musicianship throughout, like Cline's watercolour-like guitar work at the end of "Winds of the Sky," and Leddie Garcia's tumbling percussion on "The Dancer."
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MagnetNov 21, 2017Her soprano voice has held up pretty well, and her love for the natural and spirit world has only grown. But the production on I'm A Harmony by Wilco's Pat Sansone and composter Julia Holter combines '70s soft rock and '80s adult contemporary into a mix so vaporous it'll evaporate if you open the window. [No. 148, p.59]
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UncutSep 26, 2017Some songs skirt close to new age naivety, cloaked by subtle eco-critical blandishments--but Perhacs' quietly magnetic character and charm wins out, in the end. [Nov 2018, p.35]
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Sep 26, 2017I'm a Harmony isn't the revelation that Parallelograms was, but it's not a letdown, either; this is the work of an artist whose singular creative viewpoint hasn't dimmed with time. She still has a great deal to say, and those who loved her debut will discover she hasn't lost her touch.
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Sep 26, 2017I’m a Harmony finds her drawing on the strengths of her current collaborators--several of whom she worked with on The Soul of All Natural Things, or on their own projects--to push her sound outward.