User Score
Universal acclaim- based on 107 Ratings
User score distribution:
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Positive: 94 out of 107
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Mixed: 6 out of 107
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Negative: 7 out of 107
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Jun 30, 2018A weird, fun experimental pop album with excellent vocals and instrumentation, especially with the synthesizers. Not really much else to say, just listen to this album.
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Sep 14, 2018I can´t belive how much this was, every music, every word. And please come to Brasil
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Jul 2, 2018great album 10/10 we stan forever thank you rosa and jenny for this amazing release
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Oct 1, 2018The progressive tracks surprised me greatly especially with Donnie Darko, I never felt breathless for an album-ender than this one.
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Mar 5, 2019Personally, I really want to love this record. Initially, I thought this would have the potential to be my third 10/10 album, but it turns out to be a bit disappointing (I do not mean this in a bad way, but I just expect more from LEG). Although thoughtful and delivered, and all tracks are necessary and substantive, more detail can be added to some of them. Strong 8.
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Jul 12, 2018An album that gets progressively stronger and by the end reaches somewhere close to revelatory. Yes, this is an improvement on the debut, and yet it still sounds transitional - there should be bigger and better come from the girls, watch this space.
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Apr 29, 2022
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Jul 17, 2019This album is experimental really innovation.
Album cover - 9/10
Album songs - 8/10
Sound and vision - 9/10
Favorite songs : I Will Be Waiting and Falling Into Me.
Awards & Rankings
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Sep 7, 2018It should be stressed as bluntly as possible, then, that Jenny Hollingworth and Rosa Walton haven’t “just” made a good album for a couple of teenagers; I’m All Ears is pretty damn good for Rambo.
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The WireAug 8, 2018“Hot Pink” reads clearly like “BIPP”-era SOPHIE, with its urgent metallic breakdowns and deep, heavy bass lines, while the high synth registers and spatial ambient of “It’s Not Just Me” conjecture a Generation Z folk-pop-disco hybrid. As a more mainstream addition to the avant-pop trajectory of artists like SOPHIE and felicita, however, Let’s Eat Grandma are not nearly as disruptive and original. [Sep 2018, p.49]
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Jul 9, 2018A great way to approach I’m All Ears is by thinking of it as a jam session, where both Walton and Hollingworth experiment news ways of making music and detailing experience. It allows for a mishmash of elements and influences to come together in a bizarre and ultimately rewarding experience.