User Score
8.1

Universal acclaim- based on 107 Ratings

User score distribution:
  1. Positive: 94 out of 107
  2. Negative: 7 out of 107
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  1. Jun 30, 2018
    9
    A weird, fun experimental pop album with excellent vocals and instrumentation, especially with the synthesizers. Not really much else to say, just listen to this album.
  2. Sep 14, 2018
    10
    I can´t belive how much this was, every music, every word. And please come to Brasil
  3. Jul 2, 2018
    10
    great album 10/10 we stan forever thank you rosa and jenny for this amazing release
  4. Oct 1, 2018
    9
    The progressive tracks surprised me greatly especially with Donnie Darko, I never felt breathless for an album-ender than this one.
  5. Mar 5, 2019
    8
    Personally, I really want to love this record. Initially, I thought this would have the potential to be my third 10/10 album, but it turns out to be a bit disappointing (I do not mean this in a bad way, but I just expect more from LEG). Although thoughtful and delivered, and all tracks are necessary and substantive, more detail can be added to some of them. Strong 8.
  6. Jul 12, 2018
    7
    An album that gets progressively stronger and by the end reaches somewhere close to revelatory. Yes, this is an improvement on the debut, and yet it still sounds transitional - there should be bigger and better come from the girls, watch this space.
  7. Apr 29, 2022
    7
    Wow! What an experience. This album felt so raw, earnest.hopeful and depressed. It dancing through the pain with people who understand it. These are talented teens exploring love so expertly it should bore them by now. The ominous opener /cleanser introduces us to the theme and mood projected through the album without wearing it's welcome. This is followed by the high octane SOPHIEWow! What an experience. This album felt so raw, earnest.hopeful and depressed. It dancing through the pain with people who understand it. These are talented teens exploring love so expertly it should bore them by now. The ominous opener /cleanser introduces us to the theme and mood projected through the album without wearing it's welcome. This is followed by the high octane SOPHIE produced "real" opener 'hot pink'. It sets a high standard for the rest of the album which they shockingly surpass with the brilliant existential closer,'donnie darko'. The closer feels so intimate and personal like lorde's melodrama packaged into a single song (though the entire album seems reminiscent to it) the production on this is very avant garde and considered. Every decision made is thought through from the glokenspiels or the syths warbling to their words even the glittery flourishes on the ballads 'cool&collected' and 'ava'. This is an impressive release that hits the emotional milestones i placed for it and sequencing that forms a story and composes an emotiona described only by the coulor purple. Favourites:donnie darko,hot pink,snakes&ladders,not just me Expand
  8. Jul 17, 2019
    9
    This album is experimental really innovation.

    Album cover - 9/10
    Album songs - 8/10
    Sound and vision - 9/10

    Favorite songs : I Will Be Waiting and Falling Into Me.
Metascore
85

Universal acclaim - based on 23 Critic Reviews

Critic score distribution:
  1. Positive: 23 out of 23
  2. Mixed: 0 out of 23
  3. Negative: 0 out of 23
  1. Sep 7, 2018
    80
    It should be stressed as bluntly as possible, then, that Jenny Hollingworth and Rosa Walton haven’t “just” made a good album for a couple of teenagers; I’m All Ears is pretty damn good for Rambo.
  2. The Wire
    Aug 8, 2018
    70
    “Hot Pink” reads clearly like “BIPP”-era SOPHIE, with its urgent metallic breakdowns and deep, heavy bass lines, while the high synth registers and spatial ambient of “It’s Not Just Me” conjecture a Generation Z folk-pop-disco hybrid. As a more mainstream addition to the avant-pop trajectory of artists like SOPHIE and felicita, however, Let’s Eat Grandma are not nearly as disruptive and original. [Sep 2018, p.49]
  3. 83
    A great way to approach I’m All Ears is by thinking of it as a jam session, where both Walton and Hollingworth experiment news ways of making music and detailing experience. It allows for a mishmash of elements and influences to come together in a bizarre and ultimately rewarding experience.