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This isn't an edgy, experimental record. It instead explores human nature through conventional tonality and flow, delicately combining melancholy, detachment, and exhilaration.
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Not only the best Album Leaf album to date but one of the best albums of the year.
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MagnetThe melancholia lacks distinguishing marks. [#64, p.80]
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UrbThe real beauty lies in how Iceland's dynamic conditions are mimed in minimalist clicks and cuts, and overlapping swashes of snapping drums, sparkling piano and acoustic guitar. [Jul/Aug 2004, p.124]
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LaValle demonstrates that he is one of post-rock's strongest artists.
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Alternative PressOffers few intriguing instrumental twists and only the faintest percussive pulse. [Aug 2004, p.106]
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Q MagazineIt's wallpaper you'll be glad you bothered to hang. [Aug 2004, p.106]
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MojoDrifts somewhere between Mogwai's softest moments and Her Space Holiday's wry prettiness. [Aug 2004, p.101]
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The album is stitched together so finely, the songs hardly distinguish themselves from the overall pace, which is slow and summery, and the constructions, which vary between listless nowheresville ambience and introverted pop melodies.
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A gorgeous work of art.
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An atmospheric slab of mostly instrumental keyboard-driven music that basically sounds like a further advanced version of what LaValle has been doing for some time now.
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A moody, yet seemingly sprawling album of (mostly) instrumentals that rely on the evolving crescendo to make a statement.
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While not entirely successful throughout, it still contains enough majestic moments of sheer aural bliss to qualify as one of the most beautifully melodic down tempo-instrumental albums you are likely to hear this year.
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This Icelandic association seems to have triggered a benign crisis in Jimmy Lavalle's composition gland and stimulated his transformation from a major key minor artist to a minor key major artist in the course of this one volume.
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Detractors will be sure to note that In a Safe Place can feel numbingly repetitive at moments, but all that expansive diddling contributes equally to the record's allure: Like rolling past the North Pole or through West Texas, this record plays with its own redundancies, building an entire universe from strange, barren pieces.
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LaValle retains his heavily textural, impressionist flair, but has begun to repeat himself heavily, with none of the freshness or vigor of previous material.
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UncutAll tasteful minimalism and soft lighting, this is more Vangelis than adventurous. [Sep 2004, p.108]
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Under The RadarA night spent listing to In A Safe Place still begs one question--"Why didn't I just play Agaetis Byrjun instead?" [#7]
User score distribution:
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Positive: 15 out of 20
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Mixed: 0 out of 20
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Negative: 5 out of 20
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ChrisLJul 25, 2005
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SteveJul 2, 2005the more you listen the more you realize what an incredible album this is. Great to listen to before bed.
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NickApr 5, 2005Atmospheric and incredible.