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May 28, 2019By the time she closes In Plain Sight's world of illusions and nightmares with the deceptively gentle "Harmless," she pulls off the trick of turning Honeyblood into a more cohesive, more imaginative prospect than ever before.
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Classic Rock MagazineMay 30, 2019She can sound like Stevie Nicks lost at the Whitby goth weekender. Otherwise, as always, Stina's vexations are our pleasure. [Jul 2019, p.81]
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UncutMay 23, 2019Stina Tweeddale is very good at this punky Caledonian take on US bubblegum pop. [Jul 2019, p.29]
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May 23, 2019The resulting LP is a record that sonically dwarfs its predecessors, boasting a sound bigger and more fearless than ever before. ... In Plain Sight’s greatest weakness is its refusal to abandon the obvious and lean fully into the successful realisation of its more experimental moments.
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May 23, 2019If anything, it’s a shame the album takes this long to really flourish. Indie super-producer John Congleton is welcome on the boards, but he arguably provides a little too much polish, compared to his recent worthy efforts for Priests.
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May 23, 2019Not without its faults, In Plain Sight sees Honeyblood explore new avenues and break-out of any box they were previously placed in, with a genre-less collection of honest, futuristic-sounding songs.
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May 24, 2019Through this, In Plain Sight has a frustrating tendency to lean on cliché; there’s a nagging feeling of déjà vu in listening to a record that has been made thousands of times before.
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MojoMay 23, 2019The third set sounds clean and efficient at the expense of real zest. [Jun 2019, p.96]
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May 23, 2019In Plain Sight is an overwhelmingly dour listen.
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