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Sep 1, 2017Speeed finds transcendence in loudness and distortion, making noise not so much to express frustration as to heal.
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Sep 1, 2017Unlike a lot of ambient-leaning electronic music, this doesn’t necessarily work as background listening: Its moods are too mercurial, its changes too nuanced. You need to be paying attention to really appreciate the subtle mutations in his sound, yet there’s also something about his queasy tones and grizzled frequencies that keep the listener at arm’s length, emotionally speaking.
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The WireSep 1, 2017Infinity Ultra keeps going with the introspective synth symphonies, but there are a couple of spots where it’s also up for a party, although maybe one where the dancefloor is full of blissed out narcoleptics. [Aug 2017, p.63]
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Q MagazineSep 1, 2017The dystopian mood ultimately delivers more chills than thrills. [Aug 2017, p.112]