Metascore
74

Generally favorable reviews - based on 10 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 10
  2. Negative: 0 out of 10
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  1. Feb 6, 2017
    80
    A heavy bass throb infects ‘Retour au Champs de Mars’, beating out a slow, muted rhythm like a submarine engine, while the pair channel labelmate Nils Frahm with the emotive strings, piano and frazzled electronica of ‘Comme on a Dit’.
  2. The Wire
    Jan 27, 2017
    80
    The duo have created a world of two halves; a land of tension and mystery that collides with a place of release and transcendent sorrow. [Feb 2017, p.55]
  3. Jan 17, 2017
    80
    Iris is that very rare thing: a soundtrack that can make a superb stand-alone listen.
  4. Uncut
    Jan 12, 2017
    80
    While the duo's tempo remains measured and its atmosphere is typically grand, thanks to a 40-piece orchestra, Iris puts more emphasis on modular synths. [Feb 2017, p.38]
  5. Mojo
    Jan 12, 2017
    80
    Retour Au Champs De Mars oscillates malevolently with throaty, Death Star bass synths; like much of Iris, it uses a covert approach to win you over. [Feb 2017, p.95]
  6. Jan 20, 2017
    70
    The duo’s effective use of reverbs and filters works wonders here, transporting the listener through an array of the same kinds of sounds, but they're treated whole-heartedly and differently with each moment.

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