- Record Label: Erased Tapes
- Release Date: Jan 13, 2017
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Feb 6, 2017A heavy bass throb infects ‘Retour au Champs de Mars’, beating out a slow, muted rhythm like a submarine engine, while the pair channel labelmate Nils Frahm with the emotive strings, piano and frazzled electronica of ‘Comme on a Dit’.
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The WireJan 27, 2017The duo have created a world of two halves; a land of tension and mystery that collides with a place of release and transcendent sorrow. [Feb 2017, p.55]
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Jan 17, 2017Iris is that very rare thing: a soundtrack that can make a superb stand-alone listen.
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UncutJan 12, 2017While the duo's tempo remains measured and its atmosphere is typically grand, thanks to a 40-piece orchestra, Iris puts more emphasis on modular synths. [Feb 2017, p.38]
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MojoJan 12, 2017Retour Au Champs De Mars oscillates malevolently with throaty, Death Star bass synths; like much of Iris, it uses a covert approach to win you over. [Feb 2017, p.95]
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Jan 20, 2017The duo’s effective use of reverbs and filters works wonders here, transporting the listener through an array of the same kinds of sounds, but they're treated whole-heartedly and differently with each moment.
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