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Dec 16, 2019Ghostly and grim, with the radiance of Stott's synths allowed only to penetrate the gloom in periodic bursts. It's telling that Stott somehow makes this aesthetic seem so compelling, a type of dark energy that makes you want to hit a punch bag or chair dance rather than wade in self-reflection.
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Dec 16, 2019Stott's music is disorienting and sickly, but it's also undeniably full of life, and It Should Be Us is just as fascinating as one would expect.
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Dec 16, 2019These feel less like songs than experiments in pushing Stott’s habitual techniques to the breaking point.
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The WireDec 16, 2019It Should Be Us returns to the lunging bass distortion and nauseous slowed down beats of his instrumentals – the only voices to speak of rising from the churning depths as eerily pitched-down house vocal moans. [Jan 2020, p.73]