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Jay Stay Paid Image
Metascore
81

Universal acclaim - based on 15 Critic Reviews What's this?

User Score
8.6

Universal acclaim- based on 12 Ratings

  • Summary: The 28-track collection of unreleased tracks from the rapper/producer, who passed away three years ago, was produced by his mother and arranged by Pete Rock.
Score distribution:
  1. Positive: 11 out of 15
  2. Negative: 0 out of 15
  1. A record that not only tops any solo offering that the late James Yancey released during his lifetime, but also rivals Slum Village’s “Fantastic Part 2” and his own “Donuts” as his finest full-length effort.
  2. Posthumous projects are often ethically iffy, but the presence of Dilla’s hero Pete Rock as musical supervisor should reassure fans that Paid is about celebration rather than exploitation of Dilla’s life and legacy.
  3. 90
    Jay Stay Paid is a smooth hip hop ride. It is an effort that should be applauded and J-Dilla is a producer whose contributions will be appreciated from years to come. This album is another piece of evidence that testifies to that truth.
  4. Rounding out his catalog, Jay Stay Paid makes a worthy addition to any hip-hop aficionado’s collection.
  5. While it is neither as monumental as "Donuts" nor as exemplary as the "Dillanthology" discs, Jay Stay Paid is close to a must for any casual Dilla admirer.
  6. Similar to UGK's "4 Life" earlier this year Dilla's friends, family, and admirers have created a(nother) great tribute to one of hip-hop's great.
  7. This collection of unreleased material is uneven, tossing in undercooked instrumentals alongside tracks with MCs like Black Thought.

See all 15 Critic Reviews

Score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. Oct 17, 2022
    7
    Despite the cover and the title of the album which really leave something to be desired in my opinion, and even if they testify of the time inDespite the cover and the title of the album which really leave something to be desired in my opinion, and even if they testify of the time in which they were made, this album has many highs and some lows.
    The first leg is really inequal to me as the compilation of sounds don't manage to set a memorable atmosphere. The second half really makes up for the shortcomings of its predecessor. The Black Thought - MF Doom sequence is just marvelous as the two vocalists truly embellish and compliment Dilla's work. I found that the six last tracks also made a honorable conclusion to this effort full of beatswitches, turn of events and mixed emotions and collaborations.
    All along we can hear and feel how this project is posthumous. Surely Dilla would not have done it this way and some tracks still lack both sensitivity and efficiency. But if we don't forget that these are more drafts than actual material, you will be able to find some stardust in this record here and there. And it is all that it deserves to me.
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