Jet Lag
by Milosh
  • Record Label: Deadly
  • Release Date: Dec 10, 2013
User Score
8.2

Universal acclaim- based on 6 Ratings

User score distribution:
  1. Positive: 5 out of 6
  2. Mixed: 1 out of 6
  3. Negative: 0 out of 6
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  1. VillageGreenRec
    Dec 22, 2013
    8
    Many may come to this album with recent adoration for Mr. Milosh's side group "Rhye", and some may be surprised by the change in character and dynamic at hand. You still have Milosh's beautiful, elegant vocal passages but this time the production and backdrop are dense waves of electronics with more attitude.

    4 albums in, Milosh is simultaneously breaking new ground yet perfecting his    Many may come to this album with recent adoration for Mr. Milosh's side group "Rhye", and some may be surprised by the change in character and dynamic at hand. You still have Milosh's beautiful, elegant vocal passages but this time the production and backdrop are dense waves of electronics with more attitude.

    4 albums in, Milosh is simultaneously breaking new ground yet perfecting his brand of densely layered electronic soul/R&B.    … Collapse
  2. Ivalo
    Dec 11, 2013
    8
    This impatience turns into a tension, and this tension is what allows for ten tracks of what are essentially love ballads to remain interesting after repeated listens.

Critic Reviews

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Metascore
68

Generally favorable reviews - based on 9 Critic Reviews

Critic score distribution:
  1. Positive: 5 out of 9
  2. Mixed: 4 out of 9
  3. Negative: 0 out of 9
  1. PopMatters
    Feb 11, 2014
    50
    Jetlag is a lot of interchangeable tunes that rests on the shoulders of Milosh’s undeniably pretty voice, seemingly released as soon as possible to capitalize on his success with Rhye after laboring in obscurity for the greater part of the decade.
    Read full review
  2. Consequence
    Dec 13, 2013
    60
    Jetlag comes off secluded and intuitive, which wouldn’t be a problem if he didn’t cut his talents short.
    Read full review
  3. NOW Magazine
    Dec 12, 2013
    60
    A few songs are too long and self-indulgent (Do You Want What I Need, Hold Me), but the fuzzy synths, minor-key melodies and subtle worldy percussion make it very easy listening on the whole.
    Read full review
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