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Her personality doesn't surface--and neither does a groove--until midway through the disc, on a bluesy trio of tunes: 'Breakfast in Bed,' 'Willie and Laura Mae Jones,' and 'I Don't Want to Hear It Anymore.'
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By stripping them down to their bones, Lynne gets the skeleton of these songs right, but in the end you can't help but miss the meat that made Springfield who she was.
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Phil Ramone’s austere production seems designed to let Lynne’s voice carry the album, and that’s a big mistake, since she has neither the emotional range nor the soulful finesse to convey the real hurt at the core of this material.
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Q MagazineIt doesn't work, such superior pop items as 'Just A little Lovin'' and 'The Look Of Love' being reduced to an uninspired yawn. [Mar 2008, p.107]