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The style of music being obscure to modern listeners makes this project's viability a good one, and La Llama reveals material of quality from a great ensemble of musicians.
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The concept is pleasant at first, but pretty soon the repetitive nature of each soundscape--clipped beats, soft Catalan/Castellano vocals and the odd bash, pluck, bird-call and random tinkle--starts to make NME jittery.
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A good deal more Lange and a good deal less Muns would have brought out the best in Scott Herren.