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Mar 22, 2024Her mastery in hitmaking is on full display. .... “Las Mujeres Ya No Lloran” is the updated testament to her successful track record. She rejoices in the experimentation and liberation of the new school she helped build.
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Mar 25, 2024Vocally, the “queen of Latin music” isn’t particularly distinctive, but she ranges from seductive to strident in a single line and makes both equally appealing. Her Majesty’s moods are despondent (rare), thirsty (much less rare) or proudly powerful (nearly always) and she ensures you’re buffeted by every emotion billowing past.
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Mar 22, 2024Las Mujeres is a grab-bag of pop genre fusions, yet Shakira manages to hold court in every song with her incisive and enduring songcraft.
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Mar 22, 2024When the final piano twinkles of the heartbreaking ballad "Última" close the first half, the album shifts to mixtape mode with the flood of additional hits that pack the back end, making Las Mujeres Ya No Lloran a great two-for-one set that is essentially a short new album and a de facto "Greatest Hits 2022-2024."
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Mar 22, 2024Revelatory, raw but resplendent throughout, ‘Las Mujeres Ya No Lloran’ is one of Shakira’s best albums to date and is a fitting testimony to her strength and resilience turning what was a devastating situation into a beautiful body of work.
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Mar 22, 2024With this vulnerable yet versatile collection, Shakira shows there are no limits to the art of her catharsis through song.
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Apr 4, 2024It’s fascinating to watch Shakira take big swings and extend her dominance, but there’s a little piece that’s missing: some small token to show what made her such an icon in the first place.
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Mar 22, 2024The result is a mixed bag. “La Fuerte” (“The Strong”) would be a forgettable club banger were it not for Shakira’s lyrics, still raw with grief. “Tiempo Sin Verte” and “Como Donde Y Cuando” are more interesting thanks to their minor chord acoustic strums and angsty one-two punch of electric guitar.
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Mar 22, 2024The majority of Las Mujeres Ya No Lloran settles for gliding in one ear and out the other without leaving much impression, but without actively driving you up the wall either: the state of sublime mediocrity in which a lot of current pop chooses to operate.
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