• Record Label: Mute
  • Release Date: Apr 1, 2008
User Score
7.8

Generally favorable reviews- based on 25 Ratings

User score distribution:
  1. Positive: 19 out of 25
  2. Negative: 2 out of 25

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  1. Apr 22, 2023
    6
    If 'Last Night' comes up with many ideas and original beats, it surely loses coherence and what we can call persistence, because these brief moments of sparkling discoveries are buried several feet under a boring platitude. Featured artists appear from nowhere to deliver questionable performances.
    Moby slips easily between apathetic boredom and promising proposals without finding a
    If 'Last Night' comes up with many ideas and original beats, it surely loses coherence and what we can call persistence, because these brief moments of sparkling discoveries are buried several feet under a boring platitude. Featured artists appear from nowhere to deliver questionable performances.
    Moby slips easily between apathetic boredom and promising proposals without finding a lasting balance. Between harmonious orchestrations and shrill experimentation. And for this, it kept me on my toes.
    The ending, from 'Degenerates' to 'Last Night' was particularly great. Besides that, it feels (and sounds) like Mby just doesn't know where he is going.
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Metascore
63

Generally favorable reviews - based on 21 Critic Reviews

Critic score distribution:
  1. Positive: 8 out of 21
  2. Negative: 1 out of 21
  1. 50
    He lacks [Daft Punk and Justice's] wit or personality, and the album turns into a sucession of flashy vocal cameos and samples. [Apr 2008, p.81]
  2. A concept album about an all-night bender, Last Night solidifies Moby's link in the chain that binds DJ pioneers like Todd Terry to slinky futurists like Justice.
  3. Uncut
    40
    This finds Richard Melville Hall seemingly going through the motions. [Mar 2008, p.96]