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Like fellow abstract lyricist Kristin Hersh, her quill is aimed at the introverted, resulting in work that is both deeply personal and frustratingly impenetrable.
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The result is a very quiet record (possibly reflecting her admittedly timid nature--stage fright was once a big problem for her), but one that rewards a close listen.
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Fortino may not have hated the world away, but she possesses a similarly intuitive ability to block everything out so she can operate in her own peculiar vacuum. It’s an admirable quality, but the desperately sad nature of her music makes it a place that’s difficult to visit with any degree of regularity.
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The 11 songs on Life On Earth, her second Sub Pop album, average nearly six minutes apiece, and there generally isn’t much going on beyond her blurry, cold-water voice (think of a much more ethereal Grace Slick) and her sturdy strums and/or intricate finger-picking. But though the songs can be hit-or-miss.
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Under The RadarIn its excruciating final half, her sophomore album recalls Nico's mid-period solo records not only for it's foreboding, gothic tone but its glacial pace. [Summer 2009, p.63]
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MojoThe result, unfortunately, is one of the dreariest hours you will even spend listening to music. [Aug 2009, p.100]
User score distribution:
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Positive: 4 out of 4
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Mixed: 0 out of 4
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Negative: 0 out of 4
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JeremyFJul 15, 2009
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EricCJul 13, 2009