- Critic score
- Publication
- By date
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Mar 14, 2011Goulding's crackling voice is capable of affecting a prostrate pose in the midst of the swirl that suggests the latter's folk-tinged vulnerability.
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Good news: Lights is an expectations-passing collection that should see fans of the singer's material to date elevating her to superstar status.
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UncutLights feels like the product of a distinctive personality, following a peculiar vision rather than ticking genre boxes. [Apr 2010, p.90]
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Q MagazineGoulding is packed with intriguing contradictions and you can sense most of them on Lights.[Apr 2010, p.107]
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Dec 19, 2011Goulding is able to take the best parts of all of her contemporaries' styles and make them her own, coating everything in the breathy flutter of her voice.
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Mar 7, 2011On this debut full-length, already a U.K. No. 1, she glides through blippy anthems ("Starry Eyed"), pumping disco ("Animal"), and delicate grooves ("Lights") with a pixie-ish voice that's one notch sweeter than Metric's Emily Haines.
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Aspiring to find a middle ground between her folk background and the burgeoning success of electro-pop is an enterprising objective, but it is one which Goulding predominantly succeeds in through her genuine sincerity.
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Outside of its immediate context, Lights is a sometimes great, always promising debut. It's an album about leaving home, and it works best when the contrast between the folk singer and the pop production chimes with the tensions between the pull of home and the allure of the city.
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Entertainment WeeklyMar 8, 2011Warbling like a sanitized Bjork over coffeehouse-ready club beats, she pulls her weight on the first half before lights grows dim. [11 Mar 2011, p.76]
Awards & Rankings
User score distribution:
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Positive: 171 out of 193
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Mixed: 10 out of 193
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Negative: 12 out of 193
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Apr 27, 2012
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Nov 25, 2022
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Aug 24, 2022