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With the exception of "Undertow," Long Distance falls short of perfection. But as no one else stateside is currently making pop quite this lush and lovely, Ivy continues to raise hopes.
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ResonanceIvy stays true to the belief that guitar pop can have cool, utopian sounds without bringing in a truckload of keyboards and sequencers. [#32, p.60]
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At first listen, the melodies on Long Distance sound too simplistic to sustain an entire song -- and yet they do. The secret is that the melodies and chords are only half the story. The aura the songs create is as important as the songs themselves. Like Stereolab, Ivy is largely about sound; they just hide it better.
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Armed with a summer anthem and all ("Lucy Doesn't Love You"), it shouldn't be long before Ivy's popularity grows.
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The long-awaited Long Distance continues the suavely bittersweet pop that made Apartment Life such an enduring pleasure. Any fan of Everything but the Girl, Saint Etienne or vintage Blondie should find plenty to swoon over here...
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BlenderThough its sound is still cloudy and distant, the group takes tentative steps toward Everything But The Girl territory. [Aug/Sep 2001, p.123]
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Long Distance's successful moments make its well-groomed monotony especially frustrating: Ivy polished these songs to a fare-thee-well and invited guests like James Iha and Eric Matthews to play on them, yet they couldn't give them more individuality or emotion.
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Ivy specialize in nebulously oriented dream-pop: too ethereal for straight pop fans, too structured for the 4AD crowd. The result is rather like Swing Out Sister playing with all the rock and roll abandon of, say, the Sundays.
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Alternative PressThe 13 tracks here are improbably edgeless, all love-me-do/love-me-don't plaints that evaporate on impact. [Sep 2001, p.91]
User score distribution:
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Positive: 9 out of 13
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Mixed: 2 out of 13
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Negative: 2 out of 13
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May 27, 2016
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lascavelSep 10, 2001Yeh, a las Brit styling pop has a place in The Big Apple...