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This isn't music about angst or ego, hooks or licks, or lyrics we've heard before.
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Sometimes it sounds like Ennio Morricone, sometimes the Penguin Café Orchestra. Mostly it sounds like its own thing.
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The WireBrokeback's airier tendencies are always balanced against the hint of depth and punchiness behind the twin basses, and the bittersweet, reflective quality of the melodic lines. [#228, p.57]
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Looks at the Bird falls somewhere between chamber jazz and background music, a pleasant drift of different ideas that come in and out of focus like elements of a nice dream.
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Unsurprising, and not much of a main course, but a tasty and satisfying side dish nonetheless.