• Record Label: BMG
  • Release Date: Nov 17, 2017
User Score
5.3

Mixed or average reviews- based on 67 Ratings

User score distribution:
  1. Positive: 33 out of 67
  2. Negative: 25 out of 67
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  1. Nov 17, 2017
    3
    It goes well until 'I Bury The Living' but then goes horrifically, horrifically wrong. Cringey innuendos, appalling lyrics about the Arab Spring and a huge metaphors for Brexit plague the album throughout. By far Morrissey's worst solo album. Terrible.
  2. Nov 17, 2017
    3
    By far the worst album of Morrissey's long career. While World Peace was a bit scattershot, it still had some of the best songs he's ever written ("Staircase at the University", "Smiler With Knife", and "Mountjoy" were all brilliant). In contrast, the two best tracks on this abomination- "Home Is a Question Mark" and "Jacky's Only Happy When She's Up On the Stage"- still pale in comparisonBy far the worst album of Morrissey's long career. While World Peace was a bit scattershot, it still had some of the best songs he's ever written ("Staircase at the University", "Smiler With Knife", and "Mountjoy" were all brilliant). In contrast, the two best tracks on this abomination- "Home Is a Question Mark" and "Jacky's Only Happy When She's Up On the Stage"- still pale in comparison to his past work. The rest is a trainwreck: while it's admirable that Moz and his band tried to expand his sonic palette, their approach is to throw everything at the wall and hope something sticks instead of bothering to figure out if the disparate elements actually fit together. So we get a nightmarish conglomeration of screeching guitars, ambient noises, klezmer and tango, with no real purpose or point.

    But the most disappointing element by far is the lyrics. Any trace of Morrissey's storied wit and open-hearted empathy has vanished, replaced by the most ham-fisted political lyrics this side of Roger Waters (and clearly on the opposite side from Roger, judging by "Israel" and "The Girl From Tel Aviv Who Wouldn't Kneel"). The worst by far is "I Bury the Living": seven and a half minutes of the most obvious statements about soldiers and war imaginable, while completely ignoring the larger systemic elements Moz at least seemed vaguely aware of in "World Peace Is None of Your Business". And let's not even get started on Moz's unexpected obsession with oral sex and the fact that he can't write about intimacy without verging on the comedic absurdity of his much-reviled novel List of the Lost. This album is a disaster on every level.
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  3. Nov 28, 2017
    0
    I thought this said "Love In High School" and since it doesn't I'm giving it a -10. take that........................................................................................
  4. Dec 7, 2017
    2
    Morrissey, love him or hate him, has always been unique and divisive. In recent years it seems like he has been intent on alienating fans both long time and casual despite near constant touring. Not only with his "cancel is my middle name" reputation, but also with recycled setlists, constant media trolling and frequently questionable statements, not to mention his increasingly dull andMorrissey, love him or hate him, has always been unique and divisive. In recent years it seems like he has been intent on alienating fans both long time and casual despite near constant touring. Not only with his "cancel is my middle name" reputation, but also with recycled setlists, constant media trolling and frequently questionable statements, not to mention his increasingly dull and political lyrics.

    Song titles often appear as the first line or chorus of a song, and clunky lines are repeated for emphasis in what seems like a half-hearted attempt at lending weight and depth where there is none. When it comes to the political end of things, his lyrics get downright embarrassing, and come across less as world wise elder and more like irritating college freshman discovering politics for the first time.

    Groaners like the overly serious, media baiting yet laughably bad Israel, or the caustic bitterness of his bloated attempt at rock opera- I bury the living, show a lack of empathy and awareness for the very real suffering of the very real humans who make up their lyrical inspiration, and test the patience of the listener. Spent the day in bed is a toxic fluff piece, simultaneously grating and catchy like a ringtone from hell. On the flip-side of that is In your lap, which is the most depressing tuneless song about oral sex ever written. When you open your legs is another song about sex that would sound better in the capable hands of someone like Tom Jones who could likely pull it off, even at his age ( and sorry, the shock factor of ol' supposedly celibate Morrissey singing about sex wore off in 2006 or so.) All the Young People Must Fall In Love has an interesting musical premise that is absolutely crushed beneath terrible, sterile production that saps it of any swing it might have once had, and the repetitive lyrics and repeated title-as-chorus drag on far too long. The less said about The Girl From Tel Aviv, the better. Who Will Protect Us From the Police is a bland slice of reheated Depeche Mode squelches, musically and lyrically bereft and forgettable. Jacky's Only Happy plods along and somehow feels much longer than its running time but at least has some of the only semi-interesting lyrics on the entire album.

    If there were a high point to this low school, it would have to be My Love, I'd do anything for you. It's ballsy sounding, but again, is dragged down by ham fisted political lyrics. I wish you lonely at least sounds somewhat urgent, despite a lack of any discernible hook or chorus, and Home is a question mark at least has a really pretty last minute after plodding along on a Morrissey by numbers moaner referencing bored dinners with "bogus music moguls" and feeling out of place in the world.

    It's a rare thing for Morrissey to be outshined by his band, but in many cases on Low in High School, he reveals himself to be the weakest contributor to the songs. It seems like he is in dire need of new players, or a lengthy break to potentially revive inspiration beyond the blandness, bluntness, and bitterness that he tries to pass of as songs now. There is no real sense of effort or artistry to be found. Gone are the trademark wit, humor, and introspection, and forget about cunning wordplay, because you will not find it here.

    The most shocking takeaway from the album is that it seems like he's in need of a lyricist, which is something I never thought I would be saying. The biggest sin that Morrissey has committed though, is that in his old age, he's become boring. The musical equivalent to an old timer at the pub, rattling his newspaper and shouting nonsense about the headlines to the bored patrons who do their best to tune him out. Meat may be murder, but so is putting up with the cranky old bastard in 2017.
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Metascore
59

Mixed or average reviews - based on 25 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 25
  2. Negative: 2 out of 25
  1. Magnet
    Dec 22, 2017
    75
    Even when you can't quite tell whether you want to laugh with or at Morrissey's heavy-handed proclamations, they're provocative, and that's worth a lot. [No. 149, p.51]
  2. Nov 21, 2017
    60
    His 11th solo studio album Low in High School is a mixed bag of brilliance and dross. There are some genuinely interesting new explorations while other tracks are deeply disappointing. Disconcertingly uneven, yes, but not safely predictable.
  3. Nov 21, 2017
    57
    A few songs are some of Morrissey’s most engaging, exciting work of the 21st century. Other songs get your attention for the wrong reasons. ... His political musings all arrive with a crushing lack of subtlety or nuance.