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- Summary: The third full-length release for the London-based art-rock band features contributions from Metronomy's Anna Prior and Slow Club's Rebecca Taylor.
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- Record Label: Ribbon Music
- Genre(s): Pop/Rock, Alternative/Indie Rock, Alternative Pop/Rock, Indie Rock, Indie Electronic, Experimental Rock, Neo-Psychedelia
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Score distribution:
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Positive: 13 out of 20
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Mixed: 7 out of 20
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Negative: 0 out of 20
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Jan 26, 2018This album feels purposely written to soundtrack their future barbecues, like they’re just playing what they’d want to dance to. That kind of pure, genuine enthusiasm is always infectious, and ‘Marble Skies’ feels like a joy ride.
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Jan 31, 2018It's full of creative songwriting and risks that mostly pay off.
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Feb 5, 2018So far so good--and if anything it gets better.
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Jan 29, 2018Just about every song on Marble Skies is successful. The unfortunate outlier is ‘Surface to Air,’ which features Slow Club’s Rebecca Taylor on lead vocals. The second track on the album, it’s a full-length number that feels like an interlude that outstayed its welcome.
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Jan 25, 2018While Marble Skies doesn’t always quite get there, the planets it frantically orbits while awaiting touchdown are worth the journey.
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Jan 22, 2018Marble Skies finds difficulty in consolidating each defining element into a smooth blend, leading to a record that’s bookended by heart-stopping tracks with a frustratingly stodgy middle passage.
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Feb 14, 2018Ultimately, Marble Skies is a hopscotch of metamorphosizing sounds that can be rewarding for the most part, but only if you can muster the energy to make it so.
Score distribution:
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Positive: 4 out of 4
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Mixed: 0 out of 4
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Negative: 0 out of 4
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Dec 3, 2019The album really worked for me. Aside from Surface to Air, the overall album is solid and well worth a listening to in it's entirety.
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Feb 3, 2018
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Feb 1, 2018
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Jan 30, 2018
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