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Feb 2, 2015An instinctive and honest sublimation of a state of mind, full of intriguing revelations but leaving enough questions unanswered to keep you ever seeking more in its grooves. [Feb 2015, p.88]
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Jan 21, 2015Not only is the music a step forward, the songs are too--and Coombes revels in their delivery.
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Jan 30, 2015This is a bold confessional and one made all the stronger by music that's creative and daring without ever once straying into disco dad territory.
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Jan 26, 2015Matador may initially seduce with its slow, enveloping assurance but the reason it lasts are those songs, as exquisitely crafted and enduring as anything in Coombes' rich catalog.
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Jan 22, 2015Coombes’s voice has always been a powerful pop instrument, thrillingly on the edge of hysteria. On Matador, it’s also a howl of pain.
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Jan 22, 2015Matador is a precise work of outstanding talent. While it may recycle the emotive wild card a little too often for some, any keen ear will be able to tell you this isn't some half baked solo project.
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Jan 20, 2015The jaunty, energetic hints of Britpop cast aside, this is Gaz Coombes the adult man, writing adult songs, and they’re really rather great.
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Jan 20, 2015Matador is a great record, the sound of an artist following his own singular path--an artist who becomes more interesting with each release.
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Q MagazineJan 8, 2015Made up of Coombes's most beautiful compositions yet. [Feb 2015, p.116]
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Jan 8, 2015The anthems are still here, rest assured; they’re less obvious, but definitely no less compelling.
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UncutJan 8, 2015For all the haunting, dislocated atmospheres here, Coombes still has an ear for melodies. [Feb 2015, p.75]
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Jan 29, 2015Instead of following his darker impulses or fantastically out-there indulgences, Coombes plays it safe.
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Jan 8, 2015It’s a solid, sturdy listen, with flourishes of electronics that bring sparkle, but much less of the pop sheen that was evident on Here Come The Bombs.
Awards & Rankings
User score distribution:
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Positive: 15 out of 17
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Mixed: 2 out of 17
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Negative: 0 out of 17
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May 28, 2015