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by
Bobby Krlic
- Record Label: Milan
- Release Date: Jul 5, 2019
- Summary: The first solo film score for The Haxan Cloak's Bobby Krlic is for Ari Aster's 2019 horror film and features a 16-piece orchestra.
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- Record Label: Milan
- Genre(s): Stage & Screen
- More Details and Credits »
Score distribution:
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Positive: 10 out of 10
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Mixed: 0 out of 10
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Negative: 0 out of 10
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MojoOct 22, 2019Krlic has created a world in which the music of ancient tradition works like a sonic virus that simultaneously soothes and eats away at your very soul. [Dec 2019, p.95]
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Jul 29, 2019Running parallel with Aster’s allegorical fetishism of interpersonal decay, Krlic's music - even at its most choking and hopeless - feels luminous, making for a perfectly-poised accompaniment to one of the most challenging genre films in recent years.
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Jul 29, 2019From the chaotic opening to the cathartic ending, Krlic’s score works wonders, while engrossing enough to stand on its own outside of the film as well.
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Jul 29, 2019This soundtrack creates an air of wonder and foreboding, that only very occasionally and briefly plunges you into the darkness. ... Working skilfully with a modest, mostly-stringed timbral palette, Krlic incorporates the traditional Swedish nyckelharpa (as did Mark Korven for The Witch) and the hurdy-gurdy to underpin the conventional themes and create an unsettling wheezing groan, characteristic of these ancient instruments.
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The WireAug 22, 2019He cites Frank Sinatra and Disney soundtracks as influences, and creates gorgeous music that paired with the vibrant visuals, disguises the horror within the film itself. [Sep 2019, p.56]
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Jul 29, 2019At first, Krlic’s soundtrack captures the instinctive panic that comes with the upset of environmental and cultural norms. But as Aster’s characters grow acclimated to their new surroundings, he relieves us with symphonic moments of clarity (“The Blessing”) and triumph.
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Jul 29, 2019On its own terms, the Midsommar score is a sometimes brilliant but limited affair that showcases both Krlic's genius and how that genius suffers under the constraints of a film.
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