Misery Is A Butterfly - Blonde Redhead
User Score

Universal acclaim- based on 19 Ratings

User score distribution:
  1. Positive: 18 out of 19
  2. Mixed: 0 out of 19
  3. Negative: 1 out of 19

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  1. Sep 24, 2012
    I discovered The band with this album. I Never heard about them before despite of their big reputation and I think that this helped me to see this work as a masterpiece because, at that time, i had nothing else to compare this work with. What impacted me the most was the production of most of the tracks. A sort of despairing pompous barroque style with so intense arrangements like the dramatic chords that reminded me of the Gainsbourg "Je t´aime moi non plus" era, clavichords, cheap synths. Heartbreaking most of the times. I remember that i was wondering how they managed to create something so sad and at the same time so beautiful. I still dig this piece of work nowadays although i have to say that after discovering other of their works i think that lp like melody of certain damaged lemons or the in expression of the inepressible are much more powerfull works even if the production is much more focused on this dirty indie sound that was so cool in the 90´s. I really think that Blonde redhead was a feverish young band that wanted to be a matured and confirmed one. Most of the people was expecting the same rage and not this wonderfull melancholy. Expand

Generally favorable reviews - based on 22 Critics

Critic score distribution:
  1. Positive: 21 out of 22
  2. Negative: 0 out of 22
  1. 86
    Misery doesn't step forward so much as expand outward; roughly half of the album... sounds as if it could've been lifted off of Melody. The other half is purely visceral. [#10, p.91]
  2. A bang-up mix of electronic song structure and guitar impressionism.
  3. The album's soft-focus allows Blonde Redhead to explore its relatively newfound romanticism more deeply than before... but with less tension between the fragile and harsh aspects of the band's sound, its soft-focus occasionally drifts into lack of focus.