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Feb 11, 2015As a portrait of a man in a city sharing his thoughts and feelings, it’s strikingly effective, all the more so for being so far-reaching.
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UncutFeb 10, 2015He chucks deep vocal house and astral UK bass, with the title track crucially offsetting a tendency to overly tasteful restraint. [Feb 2015, p.73]
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Feb 10, 2015The constant is the familiarity of Spacek's voice, his low whispers and high exhaltations, like he's serenading a nearby audience of one.
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Feb 10, 2015Modern Streets brings the eerie emotional heft of psychedelic soul into the age of the personal electronic device, working on a small scale towards mind-expanding ends. Nicely done.
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Feb 17, 2015Most tracks on the first half clock in under four-minutes, but as the songs stretch out longer on the album’s back half, there’s not enough structure to support them.
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Mar 10, 2015Modern Streets may lack ingenuity, but it works as a sincere and relatable portrayal of the artist's experience.
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Feb 10, 2015It's an interesting concept for an album, but it falls a bit flat.