• Record Label: Eremite
  • Release Date: Oct 28, 2022
Metascore
85

Universal acclaim - based on 5 Critic Reviews

Critic score distribution:
  1. Positive: 5 out of 5
  2. Mixed: 0 out of 5
  3. Negative: 0 out of 5
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  1. Nov 16, 2022
    90
    This is deeply intuitive, subtly detailed, endlessly grooving, holistic jazz-trance music that was improvised at an extremely high level.
  2. Nov 16, 2022
    84
    Parker’s latest may be his first live album, but it’s also the product of a mad scientist, cackling over a mixing board. Time is dilated, curated, edited, and intercut, and the very live-ness of a concert recording turns fascinatingly, fruitfully convoluted—even when the artists responsible are four players participating in the age-old custom of jamming together in a room.
  3. The Wire
    Nov 22, 2022
    80
    Each musician adopts a groove-plus approach, adding tunes, subtracting beats and spinning tension building, counterintuitive phrases off the common path, but never tripping it up. [Dec 2022, p.60]
  4. Nov 16, 2022
    80
    In contrast to the usual free improvisation idiom and its tendency to meander between abstract figures and skronking freakouts, the four pieces here – each of them around twenty minutes long – are locked into steady, slowly shifting rhythms that give the music a funky, cosy feeling ... A lovely, warm album.
  5. Uncut
    Nov 16, 2022
    70
    Understated double set, the material meandering gently, but persuasive in the way its interlocking parts both ride the groove and smear lush textures across these four side-long live cuts. [Jan 2023, p.23]

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