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- Critic score
- Publication
- By date
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Feb 25, 2016Like many pop acts' full-lengths, this is an album of singles.
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Feb 11, 2016A diverse album is a thing to strive for, but trying to temper the optimism of a luminous, mother-of-pearl record like this by repeating tired ideas culled from the last decade of songwriting is not the way to go about it.
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Jan 27, 2016It’s by no means a bad album, but at this stage Chairlift are strictly second division.
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Jan 21, 2016They may have left behind their haunted house roots, which might rub some people off the wrong way, but Chairlift have found themselves creating something far more barmy, bold and exhilarating than ever before.
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Q MagazineJan 20, 2016Their third album is their most developed yet.... What's missing is that sense of real emotion, the euphoria or misery that makes for great pop. [Feb 2016, p.108]
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UncutJan 20, 2016Moth's incessantly hiccuping polysyllabic pop lacks soul and sticking power. [Feb 2016, p.73]
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Jan 25, 2016With the exception of Romeo, inspired by Greek mythology and possessing an irresistible chorus, too much of the album’s hinterland sounds slick but uninspired.
User score distribution:
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Positive: 38 out of 43
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Mixed: 3 out of 43
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Negative: 2 out of 43
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Feb 11, 2016
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Jan 30, 2016
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Jan 29, 2016