Motivational Jumpsuit, the band's fifth studio album since the band's recent reformation finds the band continuing to the mix of psychedelia, garage-rock, post-punk and pop that they've perfected over time.
Rushing by with a distinct sense of economy in less than 40 minutes and heavy on counterpoint between Pollard's robust fantasy rock and Sprout's careful sentimentality, Motivational Jumpsuit is easily the most satisfying full-length of GbV's reunited, overproductive 2010s phase.
Even as Motivational Jumpsuit faithfully approximates the grainy fidelity and 60-second dosages of Bee Thousand and Alien Lanes, it can’t maintain the same dizzying standards of pop euphoria throughout.
Anglocentrically and have eternally teenage garage production values. In other words, a GBV record that sounds like everything GBV fans love about GBV.
their best since Alien Lanes, masterfully conceived and played. After two or three listens you realize this is the last epic rock and rolltheir best since Alien Lanes, masterfully conceived and played. After two or three listens you realize this is the last epic rock and roll band possible, in the littlest league possible. If only they would be coming to Europe....…Expand
After two listens I am deeply deeply satisfied. There´s so much here to enjoy and I feel I have only scratched the surface. Here´s to the bestAfter two listens I am deeply deeply satisfied. There´s so much here to enjoy and I feel I have only scratched the surface. Here´s to the best rock band in the world! Watch them jump start forever!…Expand
The same good points and the same bad points has many of the bands other releases. An abundance of hooks and ideas but these are onlyThe same good points and the same bad points has many of the bands other releases. An abundance of hooks and ideas but these are only occasionally developed into anything substantial. As a listener, this can get quite frustrating and its easy to accuse the band of laziness, despite their trojan work ethic in terms of output, it would be nice if they stuck at an idea long enough to get past the 2 minute mark. Also, "Motivational Jump Suits" lacks the magic of their previous work and for me even lacks the catchiness of their most recent offerings. Nothing bad on the album and consistently decent but not enough stand out moments.…Expand
Undoubtedly the best GBV album to have come out in some time, it rises above the quality of its immediate predecessors and successorsUndoubtedly the best GBV album to have come out in some time, it rises above the quality of its immediate predecessors and successors seemingly due to that fortuitous conspiring of events both that have helped elevate other GBV outings from "mostly filler" to "enjoyable but needs an edit" to "GBV classic." With a few exceptions, the sound of the band hasn't strayed far from album to album. And while it's an easy accusation to hurl at any group of musicians whose rate of output is almost comical in both its frequency and sheer number, even the most ardent Voices' fans would have a hard time denying that maybe, just possibly, scaling back just a touch might pay bigger dividends for everyone involved. Even if the band wouldn't necessarily take a breath, at least GBV fans might be able to digest half an album until the next one comes out. Well, this album is exhibit A in the case against that kind of approach. There's a strange brew that goes into a classic GBV album, and despite the many variables to consider (Is Pollard feeling dictatorial? Are he and Tobin getting along? Was the band soused or blindingly soused?), it feels like the band, still strumming along in their happily iconoclastic and off-kilter way has little control over the end result. In fact, the never-ending stream of GBV releases seems less the cynical money grab, transgressive case of completism, or byproduct of an errant sense of the band's place in the world, but is instead a way for the band to ensure that another classic gets out there even if no one, including the band, is quite aware of the achievement until later. It's the inverse of the idea that an artist's best work is the last one they completed, or that the creative process gets some benefit out of wisdom; It's an egalitarian maximalism and a suggestion that the act of listening is just as important as the action of creating.…Expand
