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- Critic score
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- By date
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Mar 16, 2020Obel's angelic mixture of bliss and anguish conjures a self-contained mood of wonderment, sorrowful and subdued.
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Feb 26, 2020These songs are obscured like frosted glass, as meticulously pretty and faintly unnerving as a porcelain doll. Though the album ends almost as quietly as it began, Obel’s whispery ambient fog lingers far longer.
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Feb 24, 2020It's in how she alters her ghostly, choral-like voice that she's able to elevate her entire environment.
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MojoFeb 20, 2020The LP does feel monotonous after a while, the tunnel vision metaphor ultimately extending to the listener's experience. Keep the great frames, Agnes, but next time, try the varifocals. [Mar 2020, p.88]
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Feb 20, 2020It’s very dreamy and a bit fuzzy; but magnetic. Once pulled in, it’s hard to let go. It’s a mysterious place that seemingly offers no easy exits.
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Feb 20, 2020It's elegant, regal even, yet so immersed in its icy solitude that the listener is often left looking for cracks in the facade instead of common ground.
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Feb 20, 2020There are many joys to be found within its brittle, opaque sounds but it’s undoubtedly an album that must be lived with for an appropriate length of time for these to fully surface. Yet, this isn’t a bad thing.
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Feb 20, 2020This cohesive mood piece casts a hypnotic spell.
User score distribution:
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Positive: 17 out of 19
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Mixed: 1 out of 19
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Negative: 1 out of 19
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Feb 21, 2020
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Feb 20, 2021
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Feb 21, 2020I loved this new album! They did an amazing work as always and I really enjoyed it and I am enjoying each of the songs