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- Critic score
- Publication
- By date
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Oct 27, 2015Supreme musicianship cuts through a production job that is neither minimal nor ornate.
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Sep 17, 2015Rawlings-Welch are so good and natural in their borrowing that Nashville Obsolete evokes familiar sepia-toned moods almost without ever sounding worn-out or dated, the only exception perhaps being "Short Haired Woman Blues," on which the tempo feels sluggish.
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Oct 26, 2015Beautifully captured on tape with the mix of spontaneity and professionalism expected from a Rawlings/Welch performance, Nashville Obsolete has something of a brooding grandeur to it.
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UncutSep 14, 2015There is so much on Nashville Obsolete that impresses, but what lingers longest is rare and persuasive ability to tap into the ageless mythos of true American folk. [Oct 2015, p.85]
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MojoSep 14, 2015The seven songs--mostly lengthy, one epic--have (as expected) extraordinary guitar solos, fused vocal harmonies, sprightly old-time and brooding folk. [Oct 2015, p.93]
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Sep 14, 2015Rawlings emerges from his usual behind-the-scenes role with considerable originality and quiet authority on an album of entirely original songs.
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Sep 14, 2015The playing is, predictably, classy, but mostly it’s an album of surprises; it’s Dave’s porch and he’ll play what he chooses.
Awards & Rankings
User score distribution:
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Positive: 5 out of 7
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Mixed: 0 out of 7
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Negative: 2 out of 7
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Nov 16, 2015
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Jan 20, 2016