- Summary: The singer-songwriter takes inspiration from classical music to create a "21st century song cycle" for her 12th album, released on the world-renowned German classical label, Deutsche Grammophon.
- Record Label: Deutsche Grammophon
- Genre(s): Classical, Pop/Rock, Adult Alternative Pop/Rock, Alternative/Indie Rock, Alternative Pop/Rock, Classical Crossover
- More Details and Credits »
Sep 19, 2011It contains the power and dynamics and splendor of her very best material, but because it is a work of classical crossover, any expectation of pop hooks or singalong choruses will be met with disappointment; consequently, its sophistication, elegance, and poetry will reward anyone who takes the proper time to absorb it.
Nov 8, 2011Recalling Kate Bush and the enigmatic chamber music of Penguin Cafe and North Sea Radio Orchestras, the way is full of mystic visions, and the deathly conclusion is bittersweet. [Nov. 2011, p. 127]
Sep 23, 2011Everyone (both critics and consumers alike) have been extraordinarily harsh on this album all around the internet.
This is not an album that deserves mediocre reviews. You know, I can always tell who the people that like real music are because they all realize that this is Tori's best album since Scarlet's Walk. All those neanderthals comparing her to Kate Bush need more things to fill our their day. I'm glad that everyone can have his or her own opinion in today's world, but it's too bad that most of them are extremely uninformed.
If you're a Tori fan, this album will satisfy you. If you're not, start with Little Earthquakes and go through all of her albums before getting to this one. Maybe then your opinion will make sense. 10 for content, 10 for lyrics, 10 for concept, 9 for production.… Expand
Sep 28, 2011The usual Tori Amos output doesn't do much for me, particularly since the first few albums. However, when I discovered the background to this recording I was eager to check it out - songs based on classic works, recorded with a string quartet and a small group of horns and woodwind, and released by Deutche Grammophon! 70 minutes of stuffy classical style songs might not suit all her fans, but as a previous non-fan I'd say this is pretty good stuff. Well produced, played and sung. I had a quick look flick through the lyric book and although there is a story to this 'song cycle' it's not of much relevance to me. In summary, if you like classical music and pop, this is crossover as it should be done.… Expand
Sep 21, 2011If you are a fan of Tori's early work, then you will most likely enjoy this album. The piano and string arrangements as interpretations or varations of classical works are extremely well done (particularly with the instrumental Seven Sisters), and the recording quality is excellent. Tori's voice is in fine form, as always, and her intonation is sharp. For an eleven-year-old girl, the maturity, timbre, and flexibility of Tash's voice is also stunning. Consider this album to be sonically equivalent to portions of Under the Pink and Boys for Pele.
Where the album disappoints is in two areas. Tori's best lyrical work has always been obtuse but simultaneously mindbendingly intelligent; frankly the lyrics are here, in spots, simply flat and banal. The poetry is not her best work. Secondly, the album drags on (particularly the title track) in melachnoly drama and really expects a commitment from the listener to trudge through it in a single sitting.
Toriphiles, buy the album but also know what you are getting. A beautiful work with amazing piano and string virtuosity, but you will be left longing for a few edgier moments.
Highlights: Shattering Sea, Fearlessness, Edge of the Moon, Seven Sisters, Carry… Expand
Sep 23, 2011This review contains spoilers, click expand to view. As a fan who's followed Tori since Little Earthquakes, I'm sad to say this is by far the worst I've heard from her (in my opinion of course, others are more then welcome to disagree). To it's credit the music itself is brilliant and her voice is as lovely as ever but where this album falls flat is it's bad (and often corny) lyrics. Add to that a second singer on certain songs who I can only describe as trying to channel Peppermint Patty (from the Peanuts comics) and what you get is a product that sounds like someone is reciting poetry written by a fifth grader while playing Beethoven-quality symphonies in the background. That being said, I'll still be first in line to buy her next album.… Expand
|Spiderland [Box Set] - Slint|
|Led Zeppelin III [Remastered] - Led Zeppelin|
|Led Zeppelin I [Remastered] - Led Zeppelin|
|Led Zeppelin II [Remastered] - Led Zeppelin|
|Definitely Maybe [Remastered] - Oasis|
|Nightclubbing [Deluxe Edition] - Grace Jones|
|Miles at the Fillmore - Miles Davis 1970: The Bootleg Series, Vol. 3 - Miles Davis|
|From Parts Unknown - Every Time I Die|
|The Satanist - Behemoth|
|Home, Like Noplace Is There - The Hotelier|
|Goodbye Yellow Brick Road [40th Anniversary Edition] - Elton John|
|Illmatic XX [20th Anniversary Edition] - Nas|
|St. Vincent - St. Vincent|
|Rat Conspiracy [Box Set] - Unwound|
|Superunknown [Deluxe Edition] - Soundgarden|
|High Land, Hard Rain [30th Anniversary Edition] - Aztec Camera|
|To Be Kind - Swans|
|Anthology [Box Set] - The Clean|
|Rooms of the House - La Dispute|
|Colfax - The Delines|