Review this album
May 19, 2013Little Boot’s first album was released way back in 2013. To have a five year gap between first and second albums for a pop artists is a long period. Her first album, had it’s moments, but it just felt like it got worse over repeat listens. However, I was excited to see a new album, to see which avenues of pop she would venture down; she goes down none whatsoever.
Every track is over four minuets apart from “Every Night I Say A Prayer”. Nocturnes is more of a dance album than anything taking inspiration from eras of Electronic music gone by to create an unattractive mix of Disco/House and soft Electro. I can’t get a hold on this album, at all. The album begins with “Motorway”, which is nice, but why open with that? Maybe it’s a new beginning, I just don’t know. The album doesn’t do anything for me. It goes on and on and on. Don’t get me wrong, Daft Punk have done similar Disco sounding tracks, just look at Discovery, and I love Daft Punk, but Little Boots doesn’t handle it well. She handles 80′s synth pop with layers of possibly modern dance.
This album doesn’t suit her, it feels out of place. I didn’t actually want to go back for a second listen, I had to force myself, because whilst it can be nice at some point, even catchy on songs like “Satellite”, I can’t tell if it’s good music, or just annoying.
I did happen to enjoy one song, “Crescendo”. But the song actually reminds me a lot of a song by Selena Gomez and the Scene featuring Pixie Lott, not exactly the zenith of pop music, but nevertheless, it’s enjoyable. The album from “Crescendo” onwards is easier to enjoy, but track nine “All For You” feel limp, and a closer at that. I was surprised to hear another track to finish the album off, it just wouldn’t end.
Overall, there may be something for you in this album. It does have it’s warmer elements where it doesn’t try to hard, where it can become enjoyable, but there is little substance here, I feel like you can just hold on and stay sane.… Collapse
Jun 25, 2013While Nocturnes doesn’t have the immediate impact or supremely sticky quality of Little Boots’, AKA Victoria Hesketh’s, high-caliber dance-pop debut, Hands, it does display a slow-growing (Or is that glowing?) charm that rings true to the album’s muted title.
May 30, 2013Nocturnes rates better as an album that sounds better with time, as opposed to Hands’ sugar rush appeal. However, it also retains an uneven quality that can make getting through Nocturnes feel like someone trying to drag the party on a little too long.