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Sep 28, 2017Now is a strong comeback that plays to Twain’s strengths, but it could have done with some more of her feisty, Brad Pitt-skewering self, and fewer inspirational metaphors.
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Sep 28, 2017It all sounds great, too, with contributions from a vast array of players and producers, including Matthew Koma, Jacquire King, guitarist Greg Leisz and fiddler Gabe Witcher. The problem is Twain’s singing. ... [Her voice is] lower and less flexible than before, and that works out OK in the slower, moodier stuff here. That’s not the case, though, in the uptempo material, which feels flat and robotic.
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Sep 28, 2017Now feels fussy, as if every element was triple-guessed because the pressure to have a triumphant comeback was too great.
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Sep 28, 2017The whole album feels like it has been flattened out for the sake of streaming services. Without the big, chewy hooks, the songs tend to bleed together indistinguishably in hindsight.
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MojoSep 28, 2017Producers Ron Anielo and Matthew Koma stick to the formula. And it's not enough. [Oct 2017, p.94]
Awards & Rankings
User score distribution:
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Positive: 56 out of 89
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Mixed: 5 out of 89
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Negative: 28 out of 89
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Oct 3, 2017
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Oct 2, 2017
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Sep 29, 2017