- Critic score
- Publication
- By date
-
A deeply poetic record.
-
The record is no departure, but when the form is this strong one isn’t needed.
-
A quintessential collection of the kind of subtle contrasts and ambiguity that makes her such a fascinating songwriter.
-
On Leaving has an elegiac delicacy; it’s an album to make you weep.
-
Her words read and speak like a haunting.
-
UncutNeither beholden to tradition nor self-consciously moderne, she crafts skeletal songs of great warmth and grace. [Oct 2006, p.117]
-
Under The RadarA dark tour de force of a master songwriter. [#15]
-
MojoAn exercise in economy. [Dec 2006, p.120]
-
After Run to Ruin, it's difficult to hear Nastasia pull back to a songwriter-with-guitar style.
-
The majority of Nastasia’s guitar-and-piano bit parts are full bodied and masterful, overshadowing many big-footed leading ladies’ recent folk releases.
-
Q Magazine[It] finds her on familiar territory, offering 12 concise yet fully realised vignettes. [Oct 2006, p.124]
-
If that same sense of insularity and reserve -- magnified by Nastasia's pitch-perfect, inflectionless soprano -- keeps On Leaving from connecting like it could have, the music draws you in, even at its slowest and starkest.
User score distribution:
-
Positive: 7 out of 8
-
Mixed: 1 out of 8
-
Negative: 0 out of 8
-
stevewOct 22, 2006lovely stuff
-
jdOct 5, 2006An intensely crafted work of raw emotion.