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by Alison Moyet
User Score
7.0

Generally favorable reviews- based on 7 Ratings

User score distribution:
  1. Positive: 5 out of 7
  2. Mixed: 1 out of 7
  3. Negative: 1 out of 7
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  1. tipar
    Jun 25, 2018
    6
    I do not see the fuss about that album. Undertones of Chamber Pop, Electropop, and even Downtempo/Trip-Hop. It is a pleasant listening but if you are not very fond of her voice it is kinda cloying. I do not want to hear it again although as I said it is not a bad album.

Critic Reviews

All reviews »
Metascore
80

Generally favorable reviews - based on 7 Critic Reviews

Critic score distribution:
  1. Positive: 7 out of 7
  2. Mixed: 0 out of 7
  3. Negative: 0 out of 7
  1. Magnet
    Jun 28, 2017
    70
    Whether juxtaposed with string sections, dark electronics or thumping beats, Moyet's deeply sonorous voice is still the dramatic center. [No. 143, p.59]
  2. Mojo
    Jun 27, 2017
    80
    [Moyet] sounds notably energised throughout this second electronic pop outing. [Aug 2017, p.94]
  3. Record Collector
    Jun 23, 2017
    80
    The 80s traditionalists will delight in the euphoric synth-pop of Happy Giddy, but this is a far more ambitious delight than that. Her voice might have got her noticed, but her songwriting’s proving the most extraordinary thing about her these days.
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