Metascore
80

Generally favorable reviews - based on 7 Critic Reviews

Critic score distribution:
  1. Positive: 7 out of 7
  2. Mixed: 0 out of 7
  3. Negative: 0 out of 7
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  1. Mojo
    Jun 27, 2017
    80
    [Moyet] sounds notably energised throughout this second electronic pop outing. [Aug 2017, p.94]
  2. Jun 23, 2017
    80
    The 80s traditionalists will delight in the euphoric synth-pop of Happy Giddy, but this is a far more ambitious delight than that. Her voice might have got her noticed, but her songwriting’s proving the most extraordinary thing about her these days.
  3. Q Magazine
    Jun 19, 2017
    80
    She's gone big and bold. [Aug 2017, p.107]
  4. Jun 19, 2017
    80
    Taken all together, it's a formidable, empowering set, one that's taking charge of the present and not interested in rehashing the past.
  5. Jun 19, 2017
    80
    It shows Alison Moyet as a vocalist of immense sensitivity, feeling and lasting power. She is right at the top of her game musically and lyrically, delivering pop music that is more relevant now than at any point in her illustrious career.
  6. Magnet
    Jun 28, 2017
    70
    Whether juxtaposed with string sections, dark electronics or thumping beats, Moyet's deeply sonorous voice is still the dramatic center. [No. 143, p.59]
  7. Uncut
    Jun 19, 2017
    70
    Her sophisto-pop range expands with each album, although the winning warmth of her live performances is largely absent here. [Jul 2017, p.35]
User Score
7.0

Generally favorable reviews- based on 7 Ratings

User score distribution:
  1. Positive: 5 out of 7
  2. Negative: 1 out of 7
  1. Jun 25, 2018
    6
    I do not see the fuss about that album. Undertones of Chamber Pop, Electropop, and even Downtempo/Trip-Hop. It is a pleasant listening but ifI do not see the fuss about that album. Undertones of Chamber Pop, Electropop, and even Downtempo/Trip-Hop. It is a pleasant listening but if you are not very fond of her voice it is kinda cloying. I do not want to hear it again although as I said it is not a bad album. Full Review »